Les Deux Labyrinthes
Michel Le Belhomme

Using shifts and tangents, the “hall of mirrors” effect of the photographic mise en abîme is used for a new purpose. Through a dysfunctional collision with the brute matter of reality, the ambition is to go beyond any immediate contemplation or dizzying virtuosity. From images of images and representations of representations, there arises a free-floating dialectic between the intensification of the subject and its erasure.

Year of production: 2012-